Realidades 4 Workbook Answers Chapter 6 El mundo del espectáculo
Section Primera parte: Vocabulario
Realidades 4 Capitulo 6 Answers Page 123
1. In this exercise, you have to exchange the word in italic with a variation. It can be changed from the verb form into a noun or into an adjective. It depends on the context of the sentence.
La merengue y la cumbia son dos bailes populares del Caribe. Además, la música y el ritmo son muy __________.
– Merengue and cumbia are most popular dances in Carribean. Also, the music and rhythm are very ___________.
Bailables.
2. In this exercise, you have to exchange the word in italic with a variation. It can be changed from the verb form into a noun or into an adjective. It depends on the context of the sentence.
Todos los años en Buenos Aires hay una competencia para seleccionar la mejor pareja de bailarines de tango. Muchos son bailarines casi profesionales que pasan horas preparándose para _________.
– Every year in Buenos Aires there is a competition to select the best tango dancer. A lot of them are semi-professional dancers who take hours to prepare for ____________.
La competición
3. In this exercise, you have to exchange the word in italic with a variation. It can be changed from the verb form into a noun or into an adjective. It depends on the context of the sentence.
En México, los mariachis cantan baladas y corridos tradicionales para entretener a los turistas. Es realmente _______ sentarse en una plaza, tomar algo y escucharlos cantar.
– In Mexico, los mariachis sing ballads to entertain the tourists. It is really _______ to sit in the plaza, drink, and listen.
Entretenido.
4. In this exercise, you have to exchange the word in italic with a variation. It can be changed from the verb form into a noun or into an adjective. It depends on the context of the sentence.
Algunas de las películas del director Pedro Almodóvar han innovado el cine español. Se dice que Almodóvar es una director verdaderamente __________.
– Some of the Almodovar movies have revolutionized Spanish cinema. It is said he is really ________.
innovador
5. In this exercise, you have to exchange the word in italic with a variation. It can be changed from the verb form into a noun or into an adjective. It depends on the context of the sentence.
Eva Longoria Parker dice que fue rechazada muchas veces. Por cada rol que ganó, sufrió varios ___________.
– Eva Longoria Parker says he got refused a lot. For every win, there were several ________.
rechazos
Realidades 4 Capitulo 6 Answers Page 124
1. In this exercise, you have to combine the words from the sustantivo (noun) box with a word from the verbos (verbs) box to make a logical sentence.
First, make sure you understand the meaning of all the verbs, so it can be best to write the translations of each of the word you can see in each box.
Below are just examples, you have to make up your own sentences.
El/la aficionado/a – a fan El baile – a dance La competición – a competition El guión-a script El papel -a paper / a role La trama – the plot
Actuar – to act Bailar – to dance Conseguir – to achieve Enfrentar – to confront Entretener – to entertain Innovar – to innovate
El tipo de baile que hacen las bailarinas es muy difícil de bailar.
2. In this exercise, you have to combine the words from the sustantivo (noun) box with a word from the verbos (verbs) box to make a logical sentence.
First, make sure you understand the meaning of all the verbs, so it can be best to write the translations of each of the word you can see in each box.
Below are just examples, you have to make up your own sentences.
El/la aficionado/a – a fan El baile – a dance La competición – a competition El guión-a script El papel -a paper / a role La trama – the plot
Actuar – to act Bailar – to dance Conseguir – to achieve Enfrentar – to confront Entretener – to entertain Innovar – to innovate
La ejecución de la trama de la película fue my difícil de conseguir.
3. In this exercise, you have to combine the words from the sustantivo (noun) box with a word from the verbos (verbs) box to make a logical sentence.
First, make sure you understand the meaning of all the verbs, so it can be best to write the translations of each of the word you can see in each box.
Below are just examples, you have to make up your own sentences.
El/la aficionado/a – a fan El baile – a dance La competición – a competition El guión-a script El papel -a paper / a role La trama – the plot
Actuar – to act Bailar – to dance Conseguir – to achieve Enfrentar – to confront Entretener – to entertain Innovar – to innovate
El papel del rey loco fue un personaje muy entretenido de actuar, pude hacer lo que quería.
4. In this exercise, you have to combine the words from the sustantivo (noun) box with a word from the verbos (verbs) box to make a logical sentence.
First, make sure you understand the meaning of all the verbs, so it can be best to write the translations of each of the words you can see in each box.
Below are just examples, you have to make up your own sentences.
El/la aficionado/a – a fan El baile – a dance La competición – a competition El guión-a script El papel -a paper / a role La trama – the plot
Actuar – to act Bailar – to dance Conseguir – to achieve Enfrentar – to confront Entretener – to entertain Innovar – to innovate
La trama de la película fue innovadora.
5. In this exercise, you have to combine the words from the sustantivo (noun) box with a word from the verbos (verbs) box to make a logical sentence.
First, make sure you understand the meaning of all the verbs, so it can be best to write the translations of each of the words you can see in each box.
Below are just examples, you have to make up your own sentences.
El/la aficionado/a – a fan El baile – a dance La competición – a competition El guión-a script El papel -a paper / a role La trama – the plot
Actuar – to act Bailar – to dance Conseguir – to achieve Enfrentar – to confront Entretener – to entertain Innovar – to innovate
El aficionado condeguió de hablar con el actor.
Realidades 4 Capitulo 6 Answers Page 124
1. In this exercise, you have to read the words from the book, the text „¡Así lo decimos!“. Read the sentences below, translate them to make sure you understand everything and then find the right word that goes in the blank spaces.
A mí me encantó la actuación de Andy García. Él ____________ muy bien.
– I love how Andy García acts. He…. very well.
Actúa.
2. In this exercise, you have to read the words from the book, the text „¡Así lo decimos!“. Read the sentences below, translate them to make sure you understand everything and then find the right word that goes in the blank spaces.
Shakira baila muy bien en su nuevo video. La música de su canción es ___________.
– Shakira dances really well in her new video. The music of her song is ___________.
bailable
3. In this exercise, you have to read the words from the book, the text „¡Así lo decimos!“. Read the sentences below, translate them to make sure you understand everything and then find the right word that goes in the blank spaces.
American Idol es una competencia difícil de ganar porque es un programa muy ___________.
– American Idol is a competition very difficult to win because it is very ____________.
competitivo
4. In this exercise, you have to read the words from the book, the text „¡Así lo decimos!“. Read the sentences below, translate them to make sure you understand everything and then find the right word that goes in the blank spaces.
Yo fui ____________ para ese papel. Ese rechazo fur muy duro para mí.
– I went to ______________ for this role.
a la audición
5. In this exercise, you have to read the words from the book, the text „¡Así lo decimos!“. Read the sentences below, translate them to make sure you understand everything and then find the right word that goes in the blank spaces.
A mí me gusta estar entretenido. El ____________ es muy importante para mí.
– it is very important for me to be entertained. The _____________ is very important for me.
entretenimiento
Realidades 4 Capitulo 6 Answers Page 125
1. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
Carrera
2. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
cadena
3. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
espetáculo
4. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
temporada
5. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
bailar
6. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
reportaje
7. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
emocionante
8. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
interpretar
9. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
guión
10. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
competir
11. In this exercise, you have to use the words in the box to complete the blanks in the text.
Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
rechazar
12. In this exercise, you have to use the words in the box to complete the blanks in the text.
Bailar – to dance Carrera – career Cadena – a channel Competencia – a competition Competir – to compete Emocionante – exciting Espetáculo – a spectacle Guión – a script Interpretar – to act Rechazar – to reject Reportaje – a report Temporada – a season
competencia
Realidades 4 Capitulo 6 Answers Page 126
1. In this exercise, you have to read the words in the box and find the correct one to put in the blanks in the text.
First translate all the words to make sure you understand their meaning. Then read the text and translate it to know which word should go in which blank space.
The recording is about what Robert and Susana likes and don’t like to watch.
Dibujos animados – cartoons El noticiero – news Serie dramática – dramatic show Telenovelas – mexican telenovela Videos musicales – music videos
2. In this exercise, you have to read the words in the box and find the correct one to put in the blanks in the text.
First translate all the words to make sure you understand their meaning. Then read the text and translate it to know which word should go in which blank space.
The recording is about what Robert and Susana like and don’t like to watch.
Dibujos animados – cartoons El noticiero – news Serie dramática – dramatic show Telenovelas – mexican telenovela Videos musicales – music videos
3. In this exercise, you have to read the words in the box and find the correct one to put in the blanks in the text.
First translate all the words to make sure you understand their meaning. Then read the text and translate it to know which word should go in which blank space.
The recording is about what Robert and Susana like and don’t like to watch.
Dibujos animados – cartoons El noticiero – news Serie dramática – dramatic show Telenovelas – mexican telenovela Videos musicales – music videos
4. In this exercise, you have to read the words in the box and find the correct one to put in the blanks in the text.
First translate all the words to make sure you understand their meaning. Then read the text and translate it to know which word should go in which blank space.
The recording is about what Robert and Susana like and don’t like to watch.
Dibujos animados – cartoons El noticiero – news Serie dramática – dramatic show Telenovelas – mexican telenovela Videos musicales – music videos
5. In this exercise, you have to read the words in the box and find the correct one to put in the blanks in the text.
First translate all the words to make sure you understand their meaning. Then read the text and translate it to know which word should go in which blank space.
The recording is about what Robert and Susana like and don’t like to watch.
Dibujos animados – cartoons El noticiero – news Serie dramática – dramatic show Telenovelas – mexican telenovela Videos musicales – music videos
Realidades 4 Capitulo 6 Answers Page 126
1. In this exercise, you have to write a text about an emotional experience you had while watching a movie, or a show.
You have to use the vocabulary you have learned in this chapter as far as the type of movies and shows there are, and about all the other words about acting, music, and plots.
Talk about who the actors are, how they were, what the music was like, and how it made you feel. Talk about what the plot was like and effect it had on you.

Realidades 4 Capitulo 6 Answers Page 126
1. In this exercise, you have to listen to a recording of five people talking about what they like to watch. Then read the phrases from a to e and translate them, to make sure you understand their meaning.
After listening to the recording, connect the phrases from a to e with the right description in the recording. Listen to each description and put the right letter next to the number of the description.
Los documentales – documentaries Las películas de aventuras – adventure movies Una película de horror – horror movie Una película cómica – comedy movie Las series policíacas – police shows
2. In this exercise, you have to listen to a recording of five people talking about what they like to watch. Then read the phrases from a to e and translate them, to make sure you understand their meaning.
After listening to the recording, connect the phrases from a to e with the right description in the recording. Listen to each description and put the right letter next to the number of the description.
Los documentales – documentaries Las películas de aventuras – adventure movies Una película de horror – horror movie Una película cómica – comedy movie Las series policíacas – police shows
3. In this exercise, you have to listen to a recording of five people talking about what they like to watch. Then read the phrases from a to e and translate them, to make sure you understand their meaning.
After listening to the recording, connect the phrases from a to e with the right description in the recording. Listen to each description and put the right letter next to the number of the description.
Los documentales – documentaries Las películas de aventuras – adventure movies Una película de horror – horror movie Una película cómica – comedy movie Las series policíacas – police shows
4. In this exercise, you have to listen to a recording of five people talking about what they like to watch. Then read the phrases from a to e and translate them, to make sure you understand their meaning.
After listening to the recording, connect the phrases from a to e with the right description in the recording. Listen to each description and put the right letter next to the number of the description.
Los documentales – documentaries Las películas de aventuras – adventure movies Una película de horror – horror movie Una película cómica – comedy movie Las series policíacas – police shows
5. In this exercise, you have to listen to a recording of five people talking about what they like to watch. Then read the phrases from a to e and translate them, to make sure you understand their meaning.
After listening to the recording, connect the phrases from a to e with the right description in the recording. Listen to each description and put the right letter next to the number of the description.
Los documentales – documentaries Las películas de aventuras – adventure movies Una película de horror – horror movie Una película cómica – comedy movie Las series policíacas – police shows
Section 1: Subjunctive vs. indicative in adverbial clauses
Realidades 4 Capitulo 6 Answers Page 127
1. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
A menos
2. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
Antes de
3. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
Sin
4. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
Después de
5. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
Con tal de
6. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
Hasta
7. In this exercise, you have to put the right adverb into the blanks in the text.
A fin de – at the end A menos – unless Antes de – before Con tal de – as long as Después de – after Hasta – until Sin – without
A fin de
Realidades 4 Capitulo 6 Answers Page 128
1. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for the most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Funcione
2. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Tengan
3. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Pasan
4. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Salga
5. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for most part, these: a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Termine
6. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for the most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Apagué
7. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for the most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Lleguen
8. In this exercise, you have to choose whether to use indicative or subjunctive in sentences from 1 to 8. It depends on whether adverbial conjunction is used after which a subjunctive should be used.
The adverbs that have to be followed by a subjunctive are, for the most part, these:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Dure
Realidades 4 Capitulo 6 Answers Page 128
1. In this exercise, you have to listen to a recording about a man who wants to become a famous actor and you will hear the advice from his PR.
After listening to the recording, read the sentences from 1 to 5 and fill in the blanks with the right adverb.
Adverbial clauses are introduced by conjunctions, such as para que (so that), antes de que (before), and hasta que (until).
Adverbial conjunctions are always followed by the subjunctive because they always show a hypothetical action or state.
Some of the most used adverbial conjunctions are:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Para que
2. In this exercise, you have to listen to a recording about a man who wants to become a famous actor and you will hear the advice from his PR.
After listening to the recording, read the sentences from 1 to 5 and fill in the blanks with the right adverb.
Adverbial clauses are introduced by conjunctions, such as para que (so that), antes de que (before), and hasta que (until).
Adverbial conjunctions are always followed by the subjunctive because they always show a hypothetical action or state.
Some of the most used adverbial conjunctions are:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Después de que
3. In this exercise, you have to listen to a recording about a man who wants to become a famous actor and you will hear the advices from his PR.
After listening to the recording, read the sentences from 1 to 5 and fill in the blanks with the right adverb.
Adverbial clauses are introduced by conjunctions, such as para que (so that), antes de que (before), and hasta que (until).
Adverbial conjunctions are always followed by the subjunctive because they always show a hypothetical action or state.
Some of the most used adverbial conjunctions are:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Para que
4. In this exercise, you have to listen to a recording about a man who wants to become a famous actor and you will hear the advice from his PR.
After listening to the recording, read the sentences from 1 to 5 and fill in the blanks with the right adverb.
Adverbial clauses are introduced by conjunctions, such as para que (so that), antes de que (before), and hasta que (until).
Adverbial conjunctions are always followed by the subjunctive because they always show a hypothetical action or state.
Some of the most used adverbial conjunctions are: a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
para que
5. In this exercise, you have to listen to a recording about a man who wants to become a famous actor and you will hear the advice from his PR.
After listening to the recording, read the sentences from 1 to 5 and fill in the blanks with the right adverb.
Adverbial clauses are introduced by conjunctions, such as para que (so that), antes de que (before), and hasta que (until).
Adverbial conjunctions are always followed by the subjunctive because they always show a hypothetical action or state.
Some of the most used adverbial conjunctions are:
a fin de que – so that a condición de que – on the condition a menos que – unless a no ser que – lest, unless antes (de) que – before con tal (de) que – provided that en caso de que – in case no sea que – lest, so that … not no fuera que – lest, so that … not para que – so that sin que – without a medida que – as, according as cuando – when dado que – granted that, in case that después (de) que – after en cuanto – as soon as hasta que – until luego que – as soon as mientras – while nada más que – as soon as por más … que – no matter how much, however much por mucho que – no mater how much, however much siempre que – whenever, every time that tan pronto como – as soon as
Antes de que
Realidades 4 Capitulo 6 Answers Page 129
1. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Apaguen
2. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Haya
3. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Soy
4. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Vayamos
5. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Echen
6. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Ver
7. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Escuche
8. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Asistir
9. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Pasemos
10. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Amanezca
11. In this exercise, you have to choose in which tense to put the verbs in the parenthesis. You have to use either indicative, subjunctive, or infinitive form of the verb, depending on the meaning of the sentences and the rules when each of those tenses has to be used. Make sure to pay attention to the adverbs that require the subjunctive.
Salude
Realidades 4 Capitulo 6 Answers Page 129
1. In this exercise, you have to listen to a recording about Antonio and a letter he wrote to his PR as a thank you for his advice, as he got his first acting job.
First, read the sentences from 1 to 5 and make sure you understand everything so that you know what you have to listen for when listening to the recording.
You will have to fill out the blanks with the appropriate adverbial conjunction and the verb that you can hear. The verb has to be written in the third person, subjunctive present or indicative present or the preterite of the indicative.
2. In this exercise, you have to listen to a recording about Antonio and a letter he wrote to his PR as a thank you for his advice, as he got his first acting job.
First, read the sentences from 1 to 5 and make sure you understand everything so that you know what you have to listen for when listening to the recording.
You will have to fill out the blanks with the appropriate adverbial conjunction and the verb that you can hear. The verb has to be written in the third person, subjunctive present or indicative present or the preterite of the indicative.
3. In this exercise, you have to listen to a recording about Antonio and a letter he wrote to his PR as a thank you for his advice, as he got his first acting job.
First, read the sentences from 1 to 5 and make sure you understand everything so that you know what you have to listen for when listening to the recording.
You will have to fill out the blanks with the appropriate adverbial conjunction and the verb that you can hear. The verb has to be written in the third person, subjunctive present or indicative present or the preterite of the indicative.
4. In this exercise, you have to listen to a recording about Antonio and a letter he wrote to his PR as a thank you for his advice, as he got his first acting job.
First, read the sentences from 1 to 5 and make sure you understand everything so that you know what you have to listen for when listening to the recording.
You will have to fill out the blanks with the appropriate adverbial conjunction and the verb that you can hear. The verb has to be written in the third person, subjunctive present or indicative present or the preterite of the indicative.
5. In this exercise, you have to listen to a recording about Antonio and a letter he wrote to his PR as a thank you for his advice, as he got his first acting job.
First, read the sentences from 1 to 5 and make sure you understand everything so that you know what you have to listen for when listening to the recording.
You will have to fill out the blanks with the appropriate adverbial conjunction and the verb that you can hear. The verb has to be written in the third person, subjunctive present or indicative present or the preterite of the indicative.
Realidades 4 Capitulo 6 Answers Page 130
1. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
El actor recibe el guión. Entra en el estudio.
-The actor receives the script. He enters the studio.
El actor recibe el guión cuando entra en el estudio.
2. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Ella va a bailar. Llega a la competencia.
-She is going to dance. She arrives at the competition.
Ella va a bailar tan pronto como llegue a la competencia.
3. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Él firmará los autógrafos. Empezar la escena.
–He will sign the autographs. The scene starts.
Él firmará los autógrafos antes de que empieze la escena.
4. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Ella ensaya mucho. El director está conforme.
– She rehearses a lot. The director is satisfied.
Ella ensaya mucho para que el director esté conforme.
5. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Los aficionados se callan. Pasan la película.
– The fans go quiet. They put the movie.
Los aficionados se callan en cuanto pasen la película.
6. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Los jueces necesitan entrar en el teatro. La competencia empieza.
– The judges need to enter the theatre. The competition begins.
Los jueces necesitan entrar en el teatro a fin de que la competencia empiece.
7. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
Ella no se quiere ir del teatro. La estrella le da un autógrafo.
-She does not want to go from the theatre. The star gives her an autograph.
Ella no se quiere ir del teatro sin que la estrella le de un autógrafo.
8. In this exercise, you have to rewrite the sentences into one, using the adverbial conjunctions and the appropriate tense, present of indicative or present of the subjunctive.
Revise the grammar you have learned so far, when to use the one or the other. Pay attention to the adverbs you use, because some of them require the subjunctive tense after them.
El público tiene que esperar. El técnico repara la pantalla.
– The public has to wait. The technician repairs the screen.
El público tiene que esperar hasta que el técnico repare la pantalla.
Realidades 4 Capitulo 6 Answers Page 131
1. In this exercise, you have to connect the phrases from 1 to 5 with the endings from a to e.
Try doing it by yourself, without listening to the recording first. After you are done, listen to the recording to make sure you made the right choice for each of the sentences.
Aunque mi madre no quiera – even though my mother does not want it. Cuando estuve de visita en Los Angeles – when I was visiting him in Los Angeles. En cuanto sea famosa – as soon as I am famous Tan pronto como empiece el semestre – as soon as the semestre starts Seré famosa algún día – I will be famous one day
Buscaré información sobre clases de actuación – I will look for acting classes Con tal de que haga sacrificios y trabaje mucho. – as long as I do some sacrificies and work a lot Vi a Antonio Banderas en un restaurante – I saw Antonio Banderas in a restaurant Haré una películacon Antonio Banderas – I will make a movie with Antonio Banderas Yo estudiaré actuación-I will study acting.
1. E
E
2. In this exercise, you have to connect the phrases from 1 to 5 with the endings from a to e.
Try doing it by yourself, without listening to the recording first. After you are done, listen to the recording to make sure you made the right choice for each of the sentences.
Aunque mi madre no quiera – even though my mother does not want it. Cuando estuve de visita en Los Angeles – when I was visiting him in Los Angeles. En cuanto sea famosa – as soon as I am famous Tan pronto como empiece el semestre – as soon as the semestre starts Seré famosa algún día – I will be famous one day
Buscaré información sobre clases de actuación – I will look for acting classes Con tal de que haga sacrificios y trabaje mucho. – as long as I do some sacrificies and work a lot Vi a Antonio Banderas en un restaurante – I saw Antonio Banderas in a restaurant Haré una películacon Antonio Banderas – I will make a movie with Antonio Banderas Yo estudiaré actuación-I will study acting.
2. C
C
3. In this exercise, you have to connect the phrases from 1 to 5 with the endings from a to e.
Try doing it by yourself, without listening to the recording first. After you are done, listen to the recording to make sure you made the right choice for each of the sentences.
*Aunque mi madre no quiera *– even though my mother does not want it. Cuando estuve de visita en Los Angeles – when I was visiting him in Los Angeles. En cuanto sea famosa – as soon as I am famous Tan pronto como empiece el semestre – as soon as the semestre starts Seré famosa algún día – I will be famous one day
Buscaré información sobre clases de actuación – I will look for acting classes* Con tal de que haga sacrificios y trabaje mucho*. – as long as I do some sacrificies and work a lot *Vi a Antonio Banderas en un restaurante *– I saw Antonio Banderas in a restaurant Haré una películacon Antonio Banderas – I will make a movie with Antonio Banderas Yo estudiaré actuación-I will study acting.
3. D
D
4. In this exercise, you have to connect the phrases from 1 to 5 with the endings from a to e.
Try doing it by yourself, without listening to the recording first. After you are done, listen to the recording to make sure you made the right choice for each of the sentences.
Aunque mi madre no quiera– even though my mother does not want it. Cuando estuve de visita en Los Angeles– when I was visiting him in Los Angeles. En cuanto sea famosa – as soon as I am famous Tan pronto como empiece el semestre – as soon as the semestre starts Seré famosa algún día – I will be famous one day
Buscaré información sobre clases de actuación – I will look for acting classes Con tal de que haga sacrificios y trabaje mucho. – as long as I do some sacrificies and work a lot Vi a Antonio Banderas en un restaurante – I saw Antonio Banderas in a restaurant Haré una películacon Antonio Banderas – I will make a movie with Antonio Banderas Yo estudiaré actuación-I will study acting.
4. A
A
5. In this exercise, you have to connect the phrases from 1 to 5 with the endings from a to e.
Try doing it by yourself, without listening to the recording first. After you are done, listen to the recording to make sure you made the right choice for each of the sentences.
Aunque mi madre no quiera – even though my mother does not want it. Cuando estuve de visita en Los Angeles – when I was visiting him in Los Angeles. En cuanto sea famosa – as soon as I am famous Tan pronto como empiece el semestre – as soon as the semestre starts Seré famosa algún día – I will be famous one day
Buscaré información sobre clases de actuación – I will look for acting classes Con tal de que haga sacrificios y trabaje mucho. – as long as I do some sacrificies and work a lot Vi a Antonio Banderas en un restaurante – I saw Antonio Banderas in a restaurant Haré una películacon Antonio Banderas – I will make a movie with Antonio Banderas Yo estudiaré actuación-I will study acting.
5. B
B
Realidades 4 Capitulo 6 Answers Page 131
1. In this exercise, you have to choose the right verb that fits the sentences. You have to choose in which tense to put the verbs, the right person and tense.
Pagar – to pay Encontrar – to find
2. In this exercise, you have to choose the right verb that fits the sentences. You have to choose in which tense to put the verbs, the right person and tense.
Buscar – to find Ir – to go
3. In this exercise, you have to choose the right verb that fits the sentences. You have to choose in which tense to put the verbs, the right person and tense.
Ver – to see Trabajar – to work
4. In this exercise, you have to choose the right verb that fits the sentences. You have to choose in which tense to put the verbs, the right person and tense.
Trabajar- to work Querer – to love
5. In this exercise, you have to choose the right verb that fits the sentences. You have to choose in which tense to put the verbs, the right person and tense.
Actuar- to act Hacer – to do

Realidades 4 Capitulo 6 Answers Page 132
1. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
La orquestra ha ensayado la sinfonía varias veces, pero el conductor todavía no está satisfecho.
– The orchestra has rehearsed the symphony so many times, but the conductor is still not happy.
Ensayo.
2. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
El dramaturgo está nervioso porque estrena su obra esta noche.
– The dramaturg is nervous because he is showing his work this evening.
Estreno.
3. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
La compositora escribió su última pieza en menos de un mes.
– The composer wrote her last piece in less than a month.
Composición.
4. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
Al final de la pieza musical, todos se levantaron y ____________. Los aplausos duraron más de cinco minutos.
– At the end of the music piece, everyone got up and _____________. The applause lasted for five minutes.
Aplaudieron.
5. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
Benicio del Toro fue premiado varias veces por su actuación en Traffic.
– Benicio del Toro has been rewarded a couple of times for his acting in Traffic.
Premio.
6. In this exercise, you have to read the sentences from 1 to 6 and change the words in italic into a different form that fits the meaning of the second sentence. If you are not sure which form or word to use, open the book in the section „Ampliación“.
Cuando Shakira ___________ su sencillo La Tortura, su productor predijo que sería una grabación muy exitosa.
– When Shakira ___________ her single La Tortura, her producer predicted it will be a hit.
Grabó.
Realidades 4 Capitulo 6 Answers Page 132
1. In this exercise, you have to go to a page Musinetwork and look at the profiles of the contestants. Look at their presentations and then based on that, write your own presentation as if you were a contestant.
Make sure to think of how you would present yourself as a true artist who wants to succeed, make an impact on the music industry. Think of what the fans and the leading people in the industry would be attracted to and how you would best make a case for yourself to attract their attention and to get a chance.
Realidades 4 Capitulo 6 Answers Page 133
1. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Compone
2. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Estrena
3. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Aplauden
4. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Graba
5. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Ensayan
6. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Dona
7. In this exercise, you have to choose one of the verbs from the box to put into the blank spaces in the phrases from 1 to 7.
You can only use a verb once and you have to put it in the correct form of the present tense.
Premian
Realidades 4 Capitulo 6 Answers Page 133
1. In this exercise, you have to choose the right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Lenta
2. In this exercise, you have to choose the right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Ensayar
3. In this exercise, you have to choos ehte right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Reseña
4. In this exercise, you have to choose the right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Camerino
5. In this exercise, you have to choose the right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Composición
6. In this exercise, you have to choose the right word from the ones in the parenthesis that best fits the meaning of the phrases.
Lenta – slow Movida- emotional Estrenar – to show Ensayar – to rehearse Cartelera – marquee Reseña- review Camerino – dressing room Premio – award Grabación – recording Composición – composition Aplaudir – to applaude Premiar – to reward
Aplaudir
Realidades 4 Capitulo 6 Answers Page 133
1. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Componer.
2. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Ensayar.
3. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Cartelera.
4. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Estrenar.
5. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Donar.
6. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Premio.
7. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Camerino.
8. In this exercise, you have to rearrange the letters in the words from 1 to 8 to get the words that mean something. To think of what the letters could potentially be, refer to the book ¡Así lo decimos!.
Actor.
Realidades 4 Capitulo 6 Answers Page 134
1. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
2. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
3. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
4. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
5. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
6. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
7. In this exercise, you have to listen to a recording and hear definitions of certain words from the entertainment industry. Make notes while listening to make sure you have the right definition because you will need it to connect it to the word from a to g.
El actor/actriz – an actor (m/f) El premio – an award El boleto – a ticket Aplaudir- to applaud El intermedio – an intermission El/la locutor/a – an announcer El conjunto – a band
Realidades 4 Capitulo 6 Answers Page 134
1. In this exercise, you have to listen to a recording where Marta talks about an audition that did not go well. You have to complete the blanks in the sentences from 1 to 4 with the words she mentions in the recording.
2. In this exercise, you have to listen to a recording where Marta talks about an audition that did not go well. You have to complete the blanks in the sentences from 1 to 4 with the words she mentions in the recording.
3. In this exercise, you have to listen to a recording where Marta talks about an audition that did not go well. You have to complete the blanks in the sentences from 1 to 4 with the words she mentions in the recording.
4. In this exercise, you have to listen to a recording where Marta talks about an audition that did not go well. You have to complete the blanks in the sentences from 1 to 4 with the words she mentions in the recording.
Realidades 4 Capitulo 6 Answers Page 135
1. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
parece
2. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Parece.
3. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Se parece.
4. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Toca.
5. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Toca.
6. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Luce.
7. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Jugar.
8. In this exercise, you have to look at the words in the box and then put them in the blanks in the text below. You have to also put the verbs in the correct form.
Jugar – to play Lucir – to shine/ wear Parecer (se) – to look like Tocar – to touch
Jugar.
Section 2: Formal and informal commands
Realidades 4 Capitulo 6 Answers Page 135
1. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Levántese cuando presenten una escena de Frida. – Get up when they present a scene from Frida.
d.
2. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Cante alguna canción puertorriqueña.
-Sing a Puerto Rican song.
c.
3. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Entren al escenario y empiecen a bailar salsa después del intervalo.
– Come to the stage and start dancing salsa after the interval.
a.
4. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Júntese para cantar una melodía colombiana.
– Get together to sing a Colombian melody.
f.
5. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Represente una escena de su película Traffic.
– Present a scene from the movie Traffic.
e.
6. In this exercise, you have to connect the instructions from the director with the person they are directed to. Look at the book on pages 191, 193-194.
Siéntense y mantengan silencio, que ya vamos a empezar.
– Sit down and be silent, we will start now.
b.
Realidades 4 Capitulo 6 Answers Page 136
1. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Aplaudan.
2. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Conversen.
3. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Permanezcan.
4. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Pidan
5. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Ríanse
6. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Hagan
7. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Fumen
8. In this exercise, you have to complete the blanks in the sentences from 1 to 8 with the appropriate verb and the right form of the verb.
You have to use the formal command form of the verb. It is formed the same way the subjunctive is formed.
Aplaudir – to clap Conversar – to talk/converse Fumar – to smoke Hacer – to do Pedir – to ask Permanecer – to stay Reírse – to laugh Salir – to go out
Salgan
Realidades 4 Capitulo 6 Answers Page 137
1. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Me pongo el disfraz para este ensayo? – do I put on a mask for this rehearsal
Póntelo
2. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Ensayo ahora el mónologo? – do I rehearse now the monologue
Ensáyalo
3. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Puedo hacer la primera escena con el guión? – can I do the first scene in the script
Házlo
4. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Le doy el guión a mi asistente? – do I give the script to my assistant
Dáselo
5. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Me siento aquí en la silla? – do I sit down here in this seat
Te sientes
6. In this exercise, you have to use the formal command tense with the verbs in the sentences where the question is asked and also use the appropriate pronoun that replaces the noun.
¿Quiere que la cante a usted la canción principal de la obra? – do you want me to sing you the first song of the play
Cántamela
Realidades 4 Capitulo 6 Answers Page 137
1. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
2. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
3. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
4. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
5. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
6. In this exercise, you have to listen to a recording where a director gives instructions to his employees. You have to use the formal tense of the verbs to express what he is saying.
…al conjunto – to the band … que el contrato diga que sólo pagaremos quinientos dólares.- …that the contract says we will only pay five hunderd dollars. …ruido – noise …a los actores que lleguen temprano. – to the actors who come early. … al médico – to the doctor.
Realidades 4 Capitulo 6 Answers Page 138
1. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Mami, por favor __________ un batido de fruta fresca y yogur.
-“Mom, please __________ a milkshake made of fruit and yogurt.”
Prepárame
2. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Aba, __________ la televisión esta noche alas ocho para ver los Grammy.
– “Aba, __________ the TV tonight at 8 pm to watch the Grammys.”
Pon
3. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Papi, __________ de recoger mi vestido de seda de la tintorería.
– Papi, __________ to pick up my silk dress from the dry cleaner’s.
No te olvides
4. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Sandra, __________ el favor de contestar estas cartas de mis admiradores.
– Sandra, __________ a favor of answering the letters from my fans.
Hazme
5. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Ramón, _________ al fotógrafo y dile que lo espero a las cinco mañana para sacar las fotos para „People en español“.
– Ramón, _________ the photographer and tell him I am waiting for him tomorrow at five o’clock to take the photos for “People en español“.
Llama
6. In this exercise, you have to look at the words in the box and then choose the right one to put in the blanks in the sentences from 1 to 6.
Pon – put Hazme – make me Llama – call No toques – don’t touch Prepárame – make me No te olvides – don’t forget
Cari, por favor, __________ nada cuando yo no esté en el camerino.
– Cari, please __________ anything when I am not in the dressing room.
No toques
Realidades 4 Capitulo 6 Answers Page 139
1. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
Ensayar en el teatro cinco minutos antes de la cita.
– To rehearse in the theatre five minutes before the appointment.
Ensaya en el teatro cinco minutos antes de la cita.
2. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
Comportarse profesionalmente.
– To act profesionally.
Compórtate profesionalmente.
3. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
Ser entusiasta y cortés.
– To be enthusiastic and polite.
Sé entusiasta y cortés.
4. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
No firmar el contrato hasta que lo revise tu abogado.
– Not to sign the contract until a lawyer reviews it.
No firmes el contrato hasta que lo revise tu abogado.
5. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
Repasar la escena antes de la audición.
– To revise the scene before an audition.
Repasa la escena antes de la audición.
6. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
No ponerse nervioso en la audición.
– Not to be nervous at the audition.
No te pongas nervioso en la audición.
7. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
Vestirse de acuerdo con el papel.
– To dress according to the role.
Vistete de acuerdo con el papel.
8. In this exercise, you have to read the sentences from 1 to 8 and put the infinitive forms in the informal command form.
The example reads:
“To take a folder with your photos and visit cards.”
Lleva una carpeta con fotos tuyas y cartas de recomendación.
Realidades 4 Capitulo 6 Answers Page 141
1. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Vengan
2. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Dile
3. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Sé
4. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Siéntense
5. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Hagas
6. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Grites
7. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Compórtate
8. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Guarden
9. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Saquen
10. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Espera
11. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Salgan
12. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Vayan
13. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Búsquenlos
14. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Tengan
15. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Cállense
16. In this exercise, you have to use the informal command tense (imperative) to say what Irma is saying to her friends.
The affirmative informal (tú) imperative is formed by the third person singular conjugation in the present tense (comer – come; hablar – habla; vivir – vive).
Negative informal commands are formed when we use the tú and precede it with the word no, then the second person singular of the present simple subjunctive is needed (comer – no comas; hablar – no hables).
Escuchen
Section 3: Subjunctive with ojalá, tal vez, and quizá(s)
Realidades 4 Capitulo 6 Answers Page 142
1. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Firme
2. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Dé
3. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Encuentres
4. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Busque
5. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Estrene
6. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Cantes
7. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Tengamos
8. In this exercise, you have to read the sentences from 1 to 8 and fill the blanks with the present subjunctive.
In the sentences, you can see that all of them start with „ojalá“, which expresses hope for something, something yet uncertain, which means it has to be always followed by the subjunctive.
Vengan
Realidades 4 Capitulo 6 Answers Page 143
1. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Lleve
2. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Vayamos
3. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Nos sentemos
4. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Toquen
5. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Durará
6. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Conozcamos
7. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Cenemos
8. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.)
Salgamos
Realidades 4 Capitulo 6 Answers Page 143
1. In this exercise, you have to fill the blanks with either „ojalá“ or „quizás“.
„Ojalá“ is used to express something you are hoping will happen.
„Quizás“ is used to express something that may be, that might happen.
Quizás
2. In this exercise, you have to fill the blanks with either „ojalá“ or „quizás“.
„Ojalá“ is used to express something you are hoping will happen.
„Quizás“ is used to express something that may be, that might happen.
Ojalá
3. In this exercise, you have to fill the blanks with either „ojalá“ or „quizás“.
„Ojalá“ is used to express something you are hoping will happen.
„Quizás“ is used to express something that may be, that might happen.
Quizás
4. In this exercise, you have to fill the blanks with either „ojalá“ or „quizás“.
„Ojalá“ is used to express something you are hoping will happen.
„Quizás“ is used to express something that may be, that might happen.
Ojalá

Realidades 4 Capitulo 6 Answers Page 144
1. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Poder – can
Pueda
2. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Gustar – to like
Guste
3. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Tener – to have
Tenga
4. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Ser – to be
Será
5. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Llamar – to call
Llame
6. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Tener – to have
Tendrá
7. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Trabajar – to work
Trabaje
8. In this exercise, you have to fill out the gaps in the conversation with either indicative form or the subjunctive form of the verbs, depending on the context of the sentence. Be careful of the usual expressions that are followed always by the subjunctive (like „ojalá“, „tal vez“, „quizá“ etc.).
Dar – to give
Den
Realidades 4 Capitulo 6 Answers Page 145
1. In this exercise, you have to look into the art of Aída Emarr and then write a short essay comparing one of the pictures you can see online with the one in the book, under “¿Quién lleva el ritmo?“.
You have to write down what similarities you can see and which differences there are.
After that, choose another theme the painter does and compare that theme with the one about the music. Also, write down the similarities and the differences you can see.
Realidades 4 Capitulo 6 Answers Page 146
1. In this exercise, you have to read the words in the box and their translations.
Then, read the questions from 1 to 4 and answer according to your own opinion and preferences. It is an individual exercise, which means that you have to write your own answers, below are just examples.
¿Qué clase de obras de teatro te gustan? – what kind of theatre shows do you like?
Me gustan el balet y el drama.
2. In this exercise, you have to read the words in the box and their translations.
Then, read the questions from 1 to 4 and answer according to your own opinion and preferences. It is an individual exercise, which means that you have to write your own answers, below are just examples.
¿Has visto alguna vez una obrea de teatro en un lugar público? ¿Qué obra? ¿ Dónde? – Have you ever seen a thatre play in a public place? Which one? Where?
He visto una obra de teatro en un lugar público, fue en una plaza y mostraron una ópera.
3. In this exercise, you have to read the words in the box and their translations.
Then, read the questions from 1 to 4 and answer according to your own opinion and preferences. It is an individual exercise, which means that you have to write your own answers, below are just examples.
¿Le darías dinero a un actor por representar una obra en la calle? ¿Por qué?- would you give money to an actor who plays something in the street? Why?
Sí, daría dinero a un actor por represetnar una obra en la calle porque él está tratando de ganar dinero y porque está mostrando a todos la belleza del teatro y la cultura.
4. In this exercise, you have to read the words in the box and their translations.
Then, read the questions from 1 to 4 and answer according to your own opinion and preferences. It is an individual exercise, which means that you have to write your own answers, below are just examples.
¿Qué diferencias hay entre las obras que se realizan en teatros y las que se realizan en la calle?
– What is the difference between play done in the theatre and the ones done on the street?
La diferencia entre las obras que se realizan en el teatro y las que se realizan en la calle es en la escena, es normalmente más rica en el teatro. Además, cuando eres en el teatro, no hay distraciones que te rodean, mientras que en la calle hay mucha gente y el ruido alrededor de ti.
Realidades 4 Capitulo 6 Answers Page 146
1. In this exercise, you have to open the page of the show „American idol“ in the US or „Operación triunfo“ in Spain. Read some of the profiles of the contestants you can see there.
After that, compare the profiles you can see with how the „wannabes“ are portrayed in the song El Wanabí.
The wannabes are the people who want to become famous and use different ways to promote themselves (social media, Internet, commercials…).
Realidades 4 Capitulo 6 Answers Page 147
1. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
f.
2. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
c.
3. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
d.
4. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
g.
5. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
h.
6. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
b.
7. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
e.
8. In this exercise, you have to read the text and then connect the words from 1 to 8 with the words or phrases from a to h.
First, read the text and make sure you understand all the words. Write down the ones you cannot understand and look up their meaning. Ask for help from your teacher if necessary.
Siglo de Oro – the Golden Age La época medieval – Middle ages Teatro en la calle – theatre in the street Teatro – theatre Edificio – building Un escritor español – a Spanish writer Compañía teatral – theatre company En parques, centros comerciales, y esquinas – in parks, shopping malls and corners El Siglo XVII – the 17th century Nacimiento del teatro español – birth of the Spanish theatre Una ciudad española – a Spanish city
a.
Realidades 4 Capitulo 6 Answers Page 148
1. In this exercise, you have to imagine a song or a composition that moves you, brings back some memories or means something special to you.
Write down what instruments are used, what the rhythm is like, what you think about when listening to the song. Think of the emotions it evokes and think of a situation where the emotions may occur. It can be a real or an invented situation. Write down all the details.
Realidades 4 Capitulo 6 Answers Page 148
1. This is a continuation of the previous exercise. After you have written down something about music that moves you, means something to you and evokes certain emotions, now you have to write come lyrics that accompany the music. You have to use expressions like „ojalá“, „tal vez“ and „quizás“ to express hope and the command style (imperative) to talk to other people in the song.